![]() DSP-Quattro is almost a full-fledged DAW, but focused on audio editing features, and several readers recommend it.Its interface is easily the least-friendly of any of the options here, but some swear by its industrial-strength mastering capabilities. Steinberg WaveLab I nearly forgot about, as its entrance on the Mac is fairly recent.And very cool: it runs not only on Mac desktop, but on an iPad or in your browser, too. Reader Daniel Courville suggests this wave editor, with its own lovely features like automatic silence detection, effects stacks, metadata editing, high-quality DIRAC stretching, clip lists, and more. And you can pick it up as part of a CS suite, including Adobe’s recently-introduced subscription-based pricing. There’s quite a lot more in Audition, too, making it practically a DAW. You can even play HD video right in the editor without transcoding, and you get session management, broadcast-compliance, and speech alignment features that will appeal to video workflows. And true to its lineage with sibling Premiere, there’s lots of video-style editing and post-production power. It brings the best-loved editing power of the Windows version, at last, to the Mac. Adobe Audition survives even as Soundbooth is gone.Audiofile Engineering Wave Editor: $79 buys you some seriously-powerful features, from iZotope sound engine and advanced sample rate conversion to mastering features, unique “smart edit” and layer-based editing, and others.It also admirably handles just about any file you can throw at it. With multitrack editing, batch processing, and repair, it does what Peak did but often more easily and at a fraction of the price. If you haven’t used it lately, it’s gotten a complete overhaul and cleaner, prettier, more usable UI. ![]()
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