Writers can juxtapose one description of a character or a place before the next to create a sense of perception. Screenwriters often use juxtaposition when describing something or someone. Juxtaposing Words Juxtaposition in screenwriting Let’s explore the different meanings of juxtaposition in film and how it can be used to tell a story. The elements that filmmakers juxtapose can vary from words on a page, actors, and props on the screen, to shots in the editing room. One of the most frequent decisions being made is how to arrange elements of a film. The filmmaking process is often a series of creative decisions. Now that we have a solid juxtaposition definition, let’s talk about what how it works in film. Juxtaposition in Film What is juxtaposition in film? Draco and Harry wouldn’t highlight each other’s traits if they weren’t forced into the same space over and over again. So what does this have to do with juxtaposition? Well, for a foil character to bring out qualities of another character, they usually need to be placed next to each other. For example, Sherlock and Watson are foils of each other, constantly bringing intrinsic traits out of the other. Foil CharactersĪ foil character is a character which exposes qualities of another character. When Charles Dickens wrote, “It was the best of times, it was the worst of times,” he was using a juxtaposition of opposite ideas to create antithesis. Think of something like this: “Teal was loved by everyone, but he loved no one.” This is antithesis in action, and also juxtaposition.Īntithesis, in other words, is using juxtaposition of two clauses to create dynamism. Good is the antithesis of bad.Īs a literary device, antithesis uses parallel sentence structure of opposite ideas to create a compelling statement. This technique could be used to generate new political insights in audiences.The word antithesis refers to something which is the opposite of something else. While a concept cannot be directly represented in an image, tensions and discord between juxtaposed images could stimulate an audience to grasp a conceptual connection by inference. For example, inBattleship Potemkin (1925), the poor treatment of the sailors is indicated intercut with shots of them filing into a mess hall with shots of maggots in the food that is being prepared for them. Montage: editing that emphasizes the dynamic relationship between images following Soviet silent-era filmmakers use of the term designates rapid sequences in Hollywood films used for descriptive purposes or to show the rapid passage of time french for editing intellectual montage= sergei eisenstein, intentional disjunction to generate ideas dialectical montage disjunctive editing/visible editing=calls attention to editing montage of attractions soviet montage a technique which uses rapid editing, special effects and music to present compressed narrative information editing that emphasizes the dynamic relationship between images designates rapid sequences in Hollywood films used for descriptive purposes or to show the rapid passage of time *french for editing *intellectual montage= sergei eisenstein, intentional disjunction to generate ideas independent idea is formed in mind of viewer based on the collision of different shots dialectical montage disjunctive editing/visible editing=calls attention to editing montage of attractions *following Soviet silent-era filmmakers use of the term soviet montage-sergei eisenstein Dialetical montage:Eisenstein's term for an effect in montage in which the juxtaposition of two shots (the Kuleshov effect), when these reflect some kind of conflict, has the potential to make an abstract concept tangible.
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